You should spend at least one evening taking in a little 18th-century nightlife in Colonial Williamsburg. The colonial taverns have evening entertainment, but don't miss an 18th Century Play staged in and around the historic buildings. For example, "Jumping the Broom" deals with the difficulties of love and romance among Williamsburg's slaves in 1774. It's performed in and out of the Powell House, one of the 88 buildings surviving from the 18th century. When it's over, you get to discuss slavery with the young African-American cast.
Colonial Williamsburg also conducts nighttime tours and other activities in the Historic Area. Check the schedule in the Colonial Williamsburg Companion, the weekly newspaper that tells what's going on and when. Copies are available at the Visitor Center.
Another great way to spend a warm-weather evening is with The Original Ghosts of Williamsburg Tours (tel. 877/62-GHOST or 757/565-4821), which entertainingly blends ghost stories and local folklore with historical fact. Children will enjoy them, too. The candlelight tours are based on L.B. Taylor's 1983 book, The Ghosts of Williamsburg, which sold more than 100,000 copies. Call for reservations, which are essential.
The Kimball Theater, on Duke of Gloucester Street in Merchants Square (tel. 757/565-8588), hosts concerts, special lectures by W&M professors, puppet shows, second-run movies, and other events. Call or drop by the theater to see what's going on. William and Mary drama department students refine their skills in the William and Mary Theater (tel. 757/221-2676; www.wm.edu). The college also has an active calendar of concerts and lectures.
The Music Theatre of Williamsburg, 7575 Richmond Rd. in Lightfoot tel. 888/MUSIC-20 or 757/564-0200; www.musictheatre.com), presents revues by its own resident company and hosts performances by touring musicians. The shows change frequently, so call or check the website to find out who's on stage.
For more ideas pick up a copy of Williamsburg magazine or check its website at www.williamsburgmag.com.
